Jaye Lawrence ([info]wordswoman) wrote,
@ 2008-01-20 07:57:00
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Entry tags:critiques, writing

The Well-Tempered Critique
It's writers' workshop day and I'm trying something new. Instead of approaching each story critique differently, I've put together a fiction critique worksheet to help me shape more consistent feedback on the key story elements.

This is only a rough draft, so I'd love feedback from my LJ writer friends.


Here's what it contains so far:

Author:

Critiquer:

Title:

Length: Short (<7,500 words) Novelette (7,500-<17,500) Novella (17,500-<40,000) Novel

Genre: Science Fiction Fantasy Horror Other:

Any personal biases that might affect your critique of this piece? (i.e., "I'm not a fan of Lovecraftian horror" or "I don't usually like 2nd person narration.")

How would you summarize this piece?

Opening: Does it capture your interest fast enough? If you didn't know the author and started reading this in a bookstore/library, would you be inclined to keep reading or close the cover? Does the story seem to start at the right place?

Plot: Is the plotline clear? Believable? Does it feel original or too familiar? Does it give the protagonist problems to solve or just situations to react to? Are there plot surprises or do you always know what's coming next? Does it move forward at a good pace? Is the plot resolved in a satisfying way?

Character: Are characters clearly drawn and 3-dimensional, or generic/stereotypical? Do you feel you know/like the protagonist, or at least want to spend more time in his/her company? Are his/her motives clear? What about supporting characters and antagonist(s)?

Point of View (omniscient, first-person narrator, second-person, third-person, etc.): Does the POV feel right? Consistent? Is the right character the POV character or would you rather see the story through other eyes? If more than one POV, is there too much head-hopping? Does the POV ever "slip," i.e. does the story reveal things the POV character couldn't know?

Setting: Is the setting well drawn or did the piece seem to take place in a featureless white room? Is it always clear where the action was taking place? Does the setting add to the story?

Dialog: Is it believable? If you read it aloud, does it sound natural? Do characters tell each other things they already knew? Do the characters speak in a way consistent with their age, intelligence, education, temperament, etc? Are dialog attributions/tags handled well?

Conflict: Not to be confused with action! Does the story create an essential problem or struggle that the protagonist must face? Are there enough conflicts between characters, and within the protagonist him/herself? Does the protagonist resolve the conflict through his/her own actions or decisions? Is there a price for resolving the conflict or does it come too easily?

Conclusion: Is the ending satisfying? Believable? Does the story "pay off" in the end? Does the ending evolve naturally from what came before? Any unlikely coincidences or deus ex machina?

Strengths: What did you like best about this piece? What did the author do especially well? What felt original and creative? What stands out?

Weaknesses/areas of improvement: What specific and constructive advice would you offer this author for improving the piece? What was the biggest obstacle for you in enjoying or believing in the story, and how might that obstacle be resolved?

Craft/Technique: What was your impression of the writing style? Did you notice any persistent errors in grammar, usage, or spelling that jolted you out of the story? Did sentences/paragraphs flow well? Did the style and "voice" seem a good match for the material?


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[info]maggiedr
2008-01-20 03:01 pm UTC (link)
Like I posted on the TCSFW board, that checklist is very close to what we used at the Odyssey workshop. I think you'll find it very helpful going forward.

Doing good crits is very time consuming, and I've shorted some of them in the past for the Meet Up workshop. I've missed the meetings for over a year now, mostly because I find it so difficult to put the necessary time in and get them all done. But one of these days, I'd love to sit down and talk the whole thing through with you.

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[info]wordswoman
2008-01-21 01:54 pm UTC (link)
I saw your post there. Thanks for sharing the checklist! I'm going through a phase where I'm keen to experiment with different tools/techniques to help improve both my writing and critiquing.

It does demand a lot of time. But honestly, I'd rather have people show up having done a thoughtful critique of one or two pieces than not show up at all. Only when I think someone is using "no time" as an excuse to avoid critiquing stories they simply don't *enjoy* reading do I put on my Stern Workshop Leader face (and even then I have a certain amount of sympathy, having suffered through some real groaners at times).

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[info]careswen
2008-01-21 03:33 pm UTC (link)
This is good! I'll steal it for critiquing [info]mmerriam's work. I'll let you know if I think of any feedback for you during use.

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[info]wordswoman
2008-01-21 03:52 pm UTC (link)
Thanks! I think the real test of these tools is how well they work for real-life critiquing.

Love your icon, by the way. :)

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[info]careswen
2008-01-28 03:23 pm UTC (link)
I used it on the latest story he gave me, and it was a huge help! First I did my usual red-pen routine, but when I finished that, I had this vague feeling of being unsatisfied with the story, but I couldn't articulate what I didn't like about it. (Sometimes I get so caught up in line edits, that I lose sense of the big picture.)

I printed your worksheet up, with lines for writing on after every category. Going through the questions on the list really helped me define what it was that I didn't like about the story, and so I could then offer suggestions for improvement.

So, thanks for the worksheet! It was very helpful!

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[info]wordswoman
2008-01-30 12:05 pm UTC (link)
I'm so glad! I've been finding it pretty handy for story critiques, too, although I don't necessarily use every section with every story.

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